email: 
password: 
 | forgotten your password?
also in this issue of LondonTourdates
News - Deck the  Halls (or else...) News - Deck the Halls (or else...)
News - Grizzly Back News - Grizzly Back
News - Fionn’s Progress News - Fionn’s Progress
News - Back in Black News - Back in Black
Club Unlimited - The Gallery Club Unlimited - The Gallery
Editorial Editorial
ltd Mixtape ltd Mixtape
Under The Influence - Motion Picture Soundtrack Under The Influence - Motion Picture Soundtrack
BEAK> - Strictly for the Birds BEAK> - Strictly for the Birds
The ltd Industry Insider - Division PR The ltd Industry Insider - Division PR
Try Before You Buy - Minerva Falls Try Before You Buy - Minerva Falls
Try Before You Buy - The Spartans Try Before You Buy - The Spartans
Tactical Thinking - Tactical Strike Tactical Thinking - Tactical Strike
Marina and the Diamonds - A Little Gem... Marina and the Diamonds - A Little Gem...
Lulu and the Lampshades - Everything is Illuminated Lulu and the Lampshades - Everything is Illuminated
John Lydon - Red Terror John Lydon - Red Terror
Album Review - Kiss: Sonic Boom Album Review - Kiss: Sonic Boom
In Flames - Band Bedevilled In Flames - Band Bedevilled
R.A.R.E - Rare Creatures R.A.R.E - Rare Creatures
Bela Fleck - This Ain’t  No  Hoe-Down Bela Fleck - This Ain’t No Hoe-Down
ROX - Roxy  Music ROX - Roxy Music
Sukilove - ...if  you go down to the woods today... Sukilove - ...if you go down to the woods today...
Clapham Omnibus - Sagar Shah, 28, Music Promoter/PR Guru,  North London Clapham Omnibus - Sagar Shah, 28, Music Promoter/PR Guru, North London
Album Review - AA Bondy: When The Devil’s Loose Album Review - AA Bondy: When The Devil’s Loose
Album Review - Army Navy: Army Navy Album Review - Army Navy: Army Navy
Album Review - Foreign Beggars: United Colours Of Beggatron Album Review - Foreign Beggars: United Colours Of Beggatron
Album Review - Biffy Clyro: Only Revolutions Album Review - Biffy Clyro: Only Revolutions
Album Review - Cold Cave: Love Comes Close Album Review - Cold Cave: Love Comes Close
Venue Review - The  World’s End: View From The Bar Venue Review - The World’s End: View From The Bar
Venue Review - The  World’s End, Finsbury park Venue Review - The World’s End, Finsbury park
Album Review - David Bazan: Curse Your Branches Album Review - David Bazan: Curse Your Branches
Album Review - Devendra Banhart: What Will We Be Album Review - Devendra Banhart: What Will We Be
Album Review - Molina & Johnson: Molina & Johnson Album Review - Molina & Johnson: Molina & Johnson
Album Review - Port O’Brien: Threadbare Album Review - Port O’Brien: Threadbare
Album Review - The Muscle Club: Fragmented Ideas From Young Lungs Small Town Album Review - The Muscle Club: Fragmented Ideas From Young Lungs Small Town
The Singles Column The Singles Column
We Were Promised Jetpacks - Fly Me We Were Promised Jetpacks - Fly Me
Gay For Johnny  Depp - The Band That Taste Forgot Gay For Johnny Depp - The Band That Taste Forgot
Aural History - Paul Butler Aural History - Paul Butler
Live Review - Wolfmother Live Review - Wolfmother
Live Review - Therapy? / Ricky Warwick Live Review - Therapy? / Ricky Warwick
Live Review - The Dead Weather Live Review - The Dead Weather
Live Review - Rahzel Live Review - Rahzel
Live Review - Juliette Lewis Live Review - Juliette Lewis
Live Review - Bad For Lazarus Live Review - Bad For Lazarus
Live Review - Tarja Turunen Live Review - Tarja Turunen
Live Review - Free Energy Live Review - Free Energy
Live Review - Kasabian Live Review - Kasabian
Live Review - Los Campesinos! Live Review - Los Campesinos!
Live Review - Biffy Clyro Live Review - Biffy Clyro
Live Review - Sonic Youth Live Review - Sonic Youth
Daniel Johnston  - Daniel Johnston -
Live Review - Sweet Billy Pilgrim Live Review - Sweet Billy Pilgrim
Live Review - White Lies Live Review - White Lies
Live Review - The Understudies/ Deer Park/  Young Rival Live Review - The Understudies/ Deer Park/ Young Rival
Live Review - The Mountain Goats Live Review - The Mountain Goats
Live Review - The Cribs Live Review - The Cribs
Live Review - The Cribs Live Review - The Cribs
Live Review - The Cribs Live Review - The Cribs
Live Review - Noisettes Live Review - Noisettes
Live Review - Brendan Benson Live Review - Brendan Benson
Live Review - The Big Pink Live Review - The Big Pink
player in here
D Gritty - No Pain, No Gain
D Gritty has friends in high places and a highly principled approach to his hip-hop. The man can’t fail, says Charlotte Richardson Andrews

by Charlotte Richardson Andrews, first published in LondonTourdates #055 ,13th November 2009

D Gritty, who formally rolled under the forename Humurak, is a Leeds born, Bradford raised MC with something to say about what’s lacking in the current hip-hop climate and why repping the UK is personally proper but musically irrelevant. Having toured the UK & Europe three times, with dates at both Glastonbury and Glade on his resume, Gritty’s not new to the game.

He was handpicked as a support artist for two Goldie Lookin’ Chain tours and has appeared in guest spots on albums for artists such as Skitz, Blade, Secondson and Micall Parknsun. With two heavyweight EPs (Rags 2 Rags, They Aint Read) and a successful mix tape (Kinggritty.com Vol1) under his low-slung belt, the time is ripe for a full length debut.

Parlaying directly from the studio where he is currently holed up with long time tour DJ and producer First Aid, Gritty took a break from the mixing booth to talk to London Tour Dates about his upcoming album No Struggle, No Progress and his plans for the future.

Despite forays into spitting during teenage years, it was until his early twenties that Gritty started taking the rhyming thing seriously. Professionally and personally, the MC was driven by a patriotic pride; “I guess my real aim when I first started out was to show that British music is as good as anything else. I was born in Leeds, my mum is English and my Dad is Jamaican. I’m proud to be English so I maintain that identity”. Despite this loyalty, he’s adamant about having his music viewed within a global hip-hop perspective rather then being squarely placed in the UK scene. “I feel like too many people like to call their music ‘UK hip-hop’, like its only special because it came from here. I think if its good hip-hop, its good hip-hop – regardless of where it’s from. And I don’t want really want to be pigeonholed; I’m not a ‘UK rapper’, I’m an artist who also happens to be from the UK”.

Though his earlier material seems honest and undoubtedly dark in an autobiographical sense, Gritty is intent on championing positive thinking, in both his material and the hip-hop community itself. “I like to rap about positive issues, and try to influence my audience in a good way. I feel like there is a lack of truth in music nowadays, its all about how many ring tones you can sell; I’m not into all that. I grew up listening to reggae, people like Dennis Brown, so I always try to bring something positive to the table”.

He certainly elucidates this in current single ‘Real Talk’, which encourages self and social awareness. The early demise of his biggest musical inspirations undoubtedly helped to implement this attitude; “I’d have to say either Big L or Tupac. They’ve had a lasting effect on me”. Taking affirmative cues from respected, canonical legends who didn’t get to live out their legacies is certainly the best way of turning the struggle into something rewarding.

Though crime and unemployment are clearly not paths he condones, Gritty is candid about his own experiences. “I had one part time job when I left school, but that was it. I’ve just been focused on the music. I haven’t been successfully financially” he admits humbly, but even signed, established artists have to fight for their bread during the first few years. With such ambition and his own label Rags Records slowly gaining momentum, the payoff shouldn’t be too far away, especially considering his high profile friends and supporters.

He mentions Dizzee Rascal reaching out to him a few years back; “He phoned me up about three years ago to tell me that he was a fan. He said if I was ever in London I should holla at him. It was cool”, whilst his initial steps into the business were guided by none other then Skinnyman. “Yeah, Skinny’s like my big brother. He’s a good person who likes to help everybody. We met in Leeds. He was an established guy in the game, so he had a lot of advice for me. We’ve been close ever since.”

Should we expect to find either Dizzee or Skinny on the upcoming album then? “Skinny is on there, for sure. I’ve also got Million Dan from the Demon Boyz showing up too”, he says with pride. When pressed about the musical direction on No Struggle, No Gain, Gritty is blunt about his designs.

“Musically, it’s a straight-up hip-hop album. I feel like a lot of people have been jumping on the dubstep bandwagon lately, which is something I wanted to avoid here. Production wise, I’ve got First Aid handling the majority, with Jehst, Baby J and Metabeats contribute”. Though crossovers between urban artists and more leftfield genres are now de rigueur, Gritty is more then decided on what he will and won’t do.

“Outside my material, I’m up for experimenting, but on this album, I wanted to keep things strictly hip-hop because there hasn’t been a ‘straight’ album like that for awhile. I like dubstep and I don’t mind grime, so yeah - I would experiment”. He’s clearly happy with his circle of collaborators, but when pressed, he throws up a name or two he’d like to work with in the future. “UK wise, I like Retch 32, he’s big. Skream is also cool, and internationally, I’d love to do something with Cappleton or Sizzla”.

Big names, for sure, but then Gritty is all about aiming high. He’s also about progression; “My album is hip-hop, but its not old school” he clarifies. So it’s fresh-sounding then? “Yeah. I’m trying to broaden my horizons but keep true to what hip hop should be; it won’t sound like a 90’s throwback, for sure” he replies with a chuckle.

Not that there’d be anything wrong with that, surely? This was, after all, the era that gave us his aforementioned heroes; “Nah, it wouldn’t a bad thing. But I’m trying to move forward rather then backward” he says, a commendable ethic indeed. No Progress, No Struggle should be dropping in early 2010, but in the mean time, this politely frank MC will be greasing the wheels with a slew of UK tour dates, most notably his upcoming support slot Kyza on the 14 Nov at The Rhythm Factory, which will also feature J2K, Ramson Badbones, Rahel, Sarah Love and DJ MK; get on it.


comments
© 2005 - 2009 TourDates.Co.UK | about | press release | contact | sitemap | xml sitemap | LTD PDFs
Find us and other music sites in the Open Directory Project at dmoz.org