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say something, go on, you know you want to..
Wahay
17/07/2008 12:02:32
I reckon Kate Nash is going to fail on her next album. I reckon the first album had some good songs on it but she is a limited performer and wont last the course. has she got any defenders?
Kate Nash
"Piano, acoustic and electric guitars, percussion and synth, drums and tambourine"
Kate's debut was a double-A side single released through independent record label Moshi Moshi in February 2007. The A-side, Caroline's A Victim, is a synth-fuelled song about Kate's friend Caroline. A video for the song was also released and received notable airplay on MTV2. The video, directed by Kinga Burza, featured Kate playing a variety of instruments whilst "Caroline" sits in her room "playing killer beats", taking photographs, trying on different outfits and sitting at her computer checking a site that looks remarkably similar to MySpace.The B-side to the single was Birds, an acoustic number that tells the story of a boy's inept attempts to try and explain to his girlfriend how he feels about her, all the while the girl remains despondent about the situation.During the promotion for Caroline's A Victim/Birds, Kate supported Get Cape. Wear Cape. Fly. on their national tour shortly before embarking on her own headlining tour which took her around the UK.In March 2007, Kate was signed to the Polydor off-shoot Fiction Records, a label which holds acts such as Snow Patrol and The Maccabees.Kate is due to release her next single 'Foundations' during Summer 2007 followed by a currently untitled debut album.
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'Foundations' the greatest most incisive break-up song written in years - Kate Nash a bona-fide, proper star. NME
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Made Of Bricks Album released August 6th 2007
31/07/2007 16:40:45
Album "Made of Bricks' is released August 6th 2007
 
 
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Kate Nash @ Glastonbury 2008
Kate Nash opened this years festival to a record crowd on the Pyramid Stage. Performing a good mix of songs from her debut album 'Made Of Bricks' and new tracks, she achieved the first Glastonbury sing-along with 'Foundations'. Playing a piano that appeared to be nestled in a massive clam shell she also provided the festivals first instance of loony scenery, including a showcase of her 'twirly skirt' which threatened to overshadow her talent. Overall the experience was underwhelming, perhaps a consequence of the scale of stage and less than perfect audio quality. However, the Queens Head gig later that day was a better setting for her sound and the intimacy of a smaller venue was far more fitting. This folksy songstress is challenging the traditional view of pop and has created a unique formula, although you do find yourself questioning whether or not you can take another five minutes of the same style.
 
 
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